Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

[OTHER TWITTER] Another Korean writer praises Yoochun’s acting

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[TRANS]: @mayjjang0829: I understand why Park Yoochun is cast as the male lead after watching Roof Top Prince. His acting gets better and better in Roof Top Prince, better than in Sung Kyung Kwan Scandal and Miss Ripley. How ambitious, Park Yoochun!
Credit: @mayjjang0829
Korean to Chinese Translation: 暖日呀呀Weibo
Chinese to English Translation: mandragore of JYJ3

Shared By: JYJ3

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Translation: How can Park Yoochun’s acting be so good? He clearly has an innate talent (for acting).
* His works include Hello Franceska, Soul Mate, Kiss Kiss Bang Bang, Loved – love Does Not
Source:  @kissX2bangX2 + Josie真喵喵Weibo
Translated by: mandragore of JYJ3
Shared by: JYJ3

[NEWS] 120213 JYJ’s Junsu receives favorable reviews for his performance in the musical Elisabeth


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JYJ’s Junsu has successfully finished his first performance in the musical Elisabeth.
On February 13, C-jes Entertainment, Junsu’s agency, reported that Junsu received favorable reviews from experts for his first performance in the musical Elisabeth.
The musical Elisabeth is a musical play loved by many people for neatly 20 years ever since it was premiered in 1992 in Vienna, Austria. In the musical, Junsu is playing the role of Death, who falls in love with Elizabeth, a woman longing for freedom, by destiny.
At the premiere performance, Junsu appeared in an alluring see-through look and captivated the audience with his eyes and dances. He perfectly performed “The Last Dance” and “The Shadow Has Grown Big Today” with his distinctive husky voice and beautifully described his dark and dreamy character.
Music director Kim Moon Jung said, “Junsu’s husky voice helped make his character Death more mysterious and sexy. I think he has finally grown up as a genuine musical actor who knows how to interact with other actors and audiences. He’s genius that he could have such a great performance at the premiere performance.”
Composer Sylvester Levay said, “Junsu performed with various different charismatic looks. Sometimes he was scary, sometimes he was dark, and sometimes he was like a beast, following around Elisabeth. Junsu’s performance was so perfect and satisfying.”
Junsu said, “This is a musical performance created by the best crew and the best cast members. I’m just so proud and happy that I can be part of this play. I’m also desperately in love with Death. I wish this musical can be an opportunity for many audiences to think about their life and happiness with my sweet character Death. I’ll do my best to show you better performances.”
Source: Starnews
Credit: en.Korea
Shared by: 
JYJ3

[REVIEW] In the End, the Lead of “Protect the Boss” was Kim Jaejoong?!

The writer Zazak is a member of the CJ E&M Social Press Team and of the SBS Social Tree. He also runs a blog (in which this piece was written), for which he was selected the Premier Blogger by PressBlog. He is also one of the recipient of the Top Blogger Awards for Tistory for both 2009 and 2010.

In the end, the lead of Protect the Boss was Kim Jaejoong?!

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“Muwon! There is no exit from you.” Seo Nayun (Wang Jihye) uttered those words to Cha Muwon (Kim Jaejoong) who had made a meal for her. What does she mean? When Cha Muwon gazed at her with a question, she says again. “I only keep falling in, deeper and deeper.” These are words normally uttered by a woman to a man, but this drama has a woman say them to a man and so gives an inverted fun. But even so, there does not seem to have been an end to the attractiveness of Cha Muwon, from the beginning to end of watching this drama.

First, Cha Muwon is a man near perfection in the drama. He is a next-generation corporate man who is hot in DN Group. As is described in the final episode, he climbed up to become the executive director thanks to the hyper-sonic speed of his promotions. When compared to Cha Jihun (Ji Sung) who is still the director of headquarters, this signifies that his ability to run the corporation has become recognized.

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[In the drama, Cha Muwon not only has a great personality and a great looks, but also boasts a singing ability that is so superb as to turn the Karaoke room into a concert hall, is good at sports, and excels in his mind for business—- he oversteps the mere “the perfect son of my mother’s friend” to show off abilities as wide as the universe.]

Of course, Cha Muwon is also a part of the Royal Family. Thus he was able to become the executive director despite being in his early thirties. However, even if one is a third-generation chaebol, if one does not have the ability, one cannot assume such a position.

Cha Muwon, in the basics, is a good human being. Of course in the beginning he does pick Noh Eunsul (Choi Kanghee) as a secretary and has her keep a watch on Cha Jihun to keep him in check. However, when he sees Noh Eunsul who reveres him as Muwon-God, he feels pangs on his conscience. Further, this nerd who has never known to play for the entirety of his life does a “cutting class” with Noh Eunsul, drinks a single glass of soju, and falls down intoxicated.

But Cha Muwon’s human side only acts as the multiplier of his attractiveness. In Protect the Boss, he is someone who is near the ideal man. His exterior, to speak of first, is handsome. His smiling face has a devil-like attractiveness that causes the characters of the drama and the viewers of real life to fall, irrespectively.

His heart, pure and noble to the degree that it is difficult to believe it belongs to a third-generation chaebol, causes him to always be concerned for and to do his best to help in any way Noh Eunsul, even though she picked Cha Jihun and not himself.
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[Not only that, Cha Muwon is a romantic, to the degree that he proposes in such a way to Seo Nayun, the woman he loves. This kind of a perfection that men just cannot help but intensely hate makes firm the conviction that the lead of Protect the Boss is not Cha Jihun but rather Cha Muwon. Further, he officially gets the designation of being the next leader of the corporation and announces the “clean corporate” ideal that Noh Eunsul spoke of. Indeed, is he not perfect as the lead?]

Furthermore, this “perfect son of my mom’s friend” is good at sports and good at cooking. Even further, because Cha Jihun has given up becoming the successor to the group, Cha Muwon becomes chosen by the founder of the corporation to be its official successor.

Before he becomes the successor, Cha Muwon proposes to Seo Nayun, announcing that he will become a “clean corporate man.” In truth, the clean corporate man was the role that Noh Eunsul originally wanted for Cha Jihun.

However, Cha Jihun cleanly gave up the “corporate man” since it did not suit his aptitudes and since he wished to live happily with Noh Eunsul. Thus, the turn returned to Cha Muwon. Of course, because Cha Muwon has shown us his abilities since the beginning of the drama, he seems more fitting to be the corporate lead.

But all of this makes one confused as to just who is the lead in Protect the Boss. This goes without saying, but in Protect the Boss, the “Boss” is the important figure. In the drama, the word Boss is used in a dual manner. The first is, as the word implies facially, the “boss” of a gang, and designates Noh Eunsul who was a delinquent in high school and CEO Cha who was a man of fists in his youth. The second meaning designates the next-generation corporate man of DN Group, Cha Jihun. Why? Cha Jihun had a variety of problems including his panic disorder, and Noh Eunsul had to protect him as his secretary.

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[Of course, in the drama, Cha Jihun makes the very romantic proposal to Noh Eunsul, one which we have seen many times in movies, and weds her and reminds the viewer that they are the lead couple. But when calling the drama’s title of Protect the Boss to mind, Cha Muwon took over all important roles of a “Boss” and his importance to the drama does not fall one iota.]

That Cha Muwon became the official successor instead of Cha Jihun in the final episode of Protect the Boss is novel in a variety of ways. First, it is novel that Boss escapes the mold of the dramas until now, in which the lead would receive the critical spotlight. Further, it is novel in that Cha Muwon became the successor to the group due to his abilities and not because he was the lead.

Cha Muwon chose to walk through the field of thorns in order to become the ideal corporate man that Noh Eunsul whom he loved drew perhaps in her innocent mind. To refrain from creating illicit funds or to have successions that do not skirt the law is described as almost a Mission Impossible for the corporate men of the Republic of Korea today.

They say “Just where can the clean person be found?” and find comfort in seeing the other corporate man act uncleanly. But if someone who is so talented as Cha Muwon runs the corporation cleanly, he brings onto himself all kinds of envy and abuse.

Thus, as Cha Muwon predicted, they may make him the loner by creating a union among themselves or, if taken to the extreme, bring him down from the position of the leader. However, in order to become the kind of corporate man that Noh Eunsul whom he loved wished for, he decided to walk the thorny path.

Further, he shares such determination with not his grandmother but with Seo Nayun first and promises their future together, completing the romantic proposal of marriage. Of course, the shining moments of Cha Muwon ends there. That is become if the drama showed more of such shining moments, the Cha Jihun – Noh Eunsul couple would become too dull.

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[Kim Jaejoong exuded his spell without regret in the TV screen through this drama. He, fitting of a singer, showed off his singing ability in the Karaoke. He also did all of his part as an entertainer who emits charm that does not fall behind Ji sung’s. If one were to pick one weak spot it is that he has one voice tone and so is monotonous. But when considering the fact that he is a beginner and that today idols consistently show an acting befitting of my foot, his acting is nothing short of superb. Further, if a person is too perfect, one cannot feel affection towards him. He needs to have this flaw so that men like us can feel him – who seems to have overstepped the “perfect son of my mother’s friend” to become an alien really -- to be “human.”]

Cha Jihun and Noh Eunsul held a wedding and in their own way ended the drama in a grand finale. However, in considering the title of the drama, the portion due to the corporate man will be assumed in whole by Cha Muwon as heir. In doing so, Cha Muwon was portrayed as a character who does not fall short of—no, even exceeds — Cha Jihun.

By meeting Noh Eunsul, Cha Muwon “cut class” for the first time, fell in love with a “regular person” and the nerd who could not drink at all became a man who knows how to appropriately play and take pleasure. Further, Protect the Boss made the rookie actor Kim Jaejoong into a star, no less than it did for Ji Sung and Choi Kanghee.

When watching Protect the Boss for the first time, the acting of Kim Jaejong who had become cast as a lead in his first domestic drama seemed shaky. But Kim Jaejoong indeed did his part properly, befitting of (his character who is) a third-generation chaebol and corporate man with talent. He puts the title of “first appearance” to shame. He portrayed the heart-wrenching longing for a loved woman, the rookie who is having his first play, and the mature man and corporateur, thus exuding a charm in the drama that did not fall behind Ji Sung’s.

It seems that Protect the Boss will be remembered as the drama that has shown us an outstanding new talent called Kim Jaejoong for 18 episodes. Fortunately, Kim Jaejoong is perfect in his expression of emotions and in almost every aspect. But he did fall short on diction. I thank God that He has given Kim Jaejoong such a side for now, lest others feel cold towards him for being too perfect. I want to end with the advice that if Kim Jaejoong were to improve his tone of diction that seems a bit monotonous because he is yet speaking in a single tone, his acting will be seen as even more natural.

Source: Zazak
Translation Credit: JYJ3

Please do not add to, alter, or remove the credits.

[INFO] Review on JYJ’s “Get Out” MV


After bringing us to tears with their sad MV for “In Heaven“, JYJ is back to bring us the sexy in their new MV for “Get Out“!
The music video. The video begins with the JYJ members sitting in their sexy cars (Yes, those are their real cars!) staring at the girl getting all cozy with another guy. They then call the girl up to see what she’s doing and she lies to them in front of their face…except she doesn’t know they’re right in front of her. (Which is ridiculous because how do you not notice a BRIGHT red car with a sexy man in the driver’s seat right in front of you?) I don’t know about anyone else, but a good looking guy driving a dream-like car will definitely catch my eyes within seconds but anyways, they continue to glare at her with an angry/hurt look. -Cue sexy dancing time- Later, we see the girl trying to get away from the guy, possibly because she’s feeling guilty about cheating on JYJ or yet an even better reason, she finally realizes she hasn’t been in her right mind to cheat on the the sexy beings known as JYJ. What she doesn’t know, however, is that JYJ has already caught onto her scandalous ways. She then realizes that it’s too late when JYJ walks up to her looking mighty fine in their black suits and gives her this look as if saying, “You just lost the sexiest thing in your life.” The video then parts with JYJ walking away towards the light while leaving the girl in the darkness.
The dance/choreography. The choreography for “Get Out” involves a lot of wide arm movements (No wonder their arms are looking so good!) and is very energetic. It’s very fun, and enjoyable to watch because you can just see the energy piercing out of them when they dance. As I am fully aware that the only prominent dancer in JYJ is Junsu, I was very impressed with how Jaejoong and Yoochun both kept up with the energetic dance moves and how synchronize their dancing as group were in the video.
The song. Produced by Jaejoong and Yoochun, “Get Out” is one of the few upbeat songs in JYJ’s new album. It starts out with a beautiful piano intro that tricks you into thinking it’s another ballad song but then the chorus kicks in and shocks you with a sexy and infectious beat that gets your head bobbing along to the song. Then the “HEY”s and the “HO”s comes in and you start finding yourself resisting the urge to throw your arms up like JYJ. “Get Out” is a perfect and catchy song that showcases JYJ’s variety of talents because you get to hear not only their beautiful harmonies, but also each members’ strong vocals.
Thoughts. When I first heard JYJ’s new songs from their recently released album, their title song, “In Heaven”, took my breath away and it was my favorite song in the album. However, now that I see this amazingly produced MV, I realized that I may just like “Get Out” a little bit more than “In Heaven”. The song has a beautiful melody and yet it still manages to pump my energy and gets me on my feet. It’s like the best of both worlds for me, a combination of a ballad and an upbeat song.
Overall Rating: 5/5
Credit: Ningin
Shared by: ourJYJ

JYJ’s “In Heaven”: Bidding farewell to mainstream K-pop

Below is another review on JYJ’s “In Heaven” song.
JYJ released the music video for the title track of their new album, In Heaven, yesterday. To be honest, I wasn’t flailing over my desk in excitement over the new video…but I was excited to finally hear a recording of “In Heaven” that wasn’t disgraced by inappropriately placed fangirl screams in the background.

The music video certainly isn’t your everyday, ankle-deep K-pop MV fare, which is definitely something to be thankful for. But it seemed to me that the dramatic nature of the video was trying to compete with the dramatic nature of the song…and in the end, both sides lose. “In Heaven” is a really great song – arguably one of JYJ’s most impressive works to date – and the MV was shot really well, despite having a painfully cliched storyline. The two individual components of the MV – the song and the videography - tug at the heartstrings in just the right way when presented alone. But put it together and it tends to cheapen the effectiveness of either component.

But enough pseudo-legitimate artistic criticism from me. Check out the MV for yourself:



Though at times it may not seem like it, I have a lot of respect for JYJ. I really do. Granted, I don’t agree with a lot of things they’ve done – sue SM, produce the atrocity that was “Ayyy Girl,” spam photos of their cats via Twitter…amongst others. Nor do I feel all that bad for them and their current situation. Sure, it sucks to be constantly cockblocked by every television network in Korea, and they’ve probably made more enemies in the entertainment world than friends within these past few years. On the surface, JYJ’s story is pretty tragic: they gave up the glory of being in one of the most celebrated Asian pop acts in K-pop history so they could pursue their true dreams…and in return, the entire K-pop industry avoids them like a Damascene crowd fleeing from a trio of lepers.

But even so, I don’t pity them too much because I think that ultimately, they’re gonna be okay.

As someone who spends a lot of time examining K-pop in detail, I find it difficult to view JYJ’s music in the same way that I view most other K-pop music. To me, K-pop is defined by trends and their influence throughout the K-pop spectrum, as well as their evolution with every new promotional concept. Within mainstream K-pop, every ‘fresh’ concept is a derivation from an old idea, which is why K-pop music oftentimes comes across as being redundant and unoriginal. But in the same way, redundancy is arguably what keeps a loyal fanbase coming back for more.

Back in their heyday as a five-membered group, DBSK was arguably a leader of trends within the mainstream K-pop scene. But now, JYJ has detached themselves from mainstream K-pop, and thus has detached themselves from mainstream K-pop trends as well.

And that’s kind of amazing, if you really think about it.
The current trend-based K-pop system is manufactured in a way that allows little to no musical or artistic flexibility, which is a pretty sucky situation when it comes to K-pop idols who are clearly in it for something more than mere popularity awards or fangirls worshipping them at their feet. I’d be more than willing to argue that JYJ’s principal reason for leaving SM wasn’t merely financial, and that it probably had something to do with the fact that Jaejoong, Yoochun, and Junsu have long proven themselves to be competent musicians that are capable of making music outside of the confines of an entertainment institution like SM.

Even when SM allows one of their artists to put a self-composed work on an upcoming album, it rarely makes it onto the album’s version A tracklist and is often relegated to Bonus-Track-Land on the repackage version. Needless to say, there’s no way in hell SM (or any other K-pop company, for that matter) would ever let an idol’s self-composed work serve as a promotional single. In the end, K-pop artists serve as vehicles for trends – but if the current trend is defined by autotune and shiny spandex pants and made-up words that end in “-tic”….well, I’d want out, too.

JYJ’s been effectively exiled from the mainstream K-pop scene, sure. But at the same time, they’ve also been freed of the burden of keeping up with the trends and sacrificing artistry for the sake of profit. The end result? Few promotional opportunities and gratuitous amounts of drama – but for the first time in their careers, JYJ can say that their music is truly theirs. No trends driving their inspiration, no fangirl hormonal desires to feed. Say what you want about their business tactics, but at the very least, JYJ’s music is clean and honest.
Ree wrote an article earlier today about the possibility of JYJ re-integrating itself back into mainstream K-pop. For many people, this news is a cause for celebration – and for good reason: JYJ’s been through way too much crap and are way too talented to be denied of basic performing rights due to office politics and red tape. Personally, I did do a little fangirl squee when Leeteuk and Eunhyuk played “Chajatta” on Sukira. But at the same time, I’m really quite satisfied with the way things currently are. The flames between SM and JYJ are starting to cool – SM now only fancies itself the father of the prodigal son – but I reckon that they’re currently so busy taking care of their other kids so that reining back JYJ has become less of a priority. And while JYJ might not be completely satisfied with their current celebrity status, they’re starting to settle firmly into the roles of musicians and artists, rather than idols – and they’ve done the work to show it.

“In Heaven” isn’t a perfect song with a perfect MV. It doesn’t follow any trends and it’s not out there with the intent of winning any awards. It doesn’t boast flashy visuals with good-looking guys making bedroom eyes at the camera. In the most basic sense of the word, “In Heaven” isn’t a K-pop song, and JYJ isn’t a K-pop group. And thank goodness for that.

credit: Patricia@seoulbeats
shared By: JYJ3

[INFO] Another Full Marks Review for JYJ’s In Heaven Album


Ever since the, by now, legendary group DBSK broke up, there has been questions about whether either new entities could live up to the success and fame of the original 5-member group. The answer is, of course, yes they can. JYJ and TVXQ still attract the same huge following across Asia even when they’re split in two. Now it’s one thing to wonder whether the new groups can be successful and another to think about how good their music is.

Earlier this year, both entities released new material. I detested JYJ’s album, especially its messy lead single Ayyy Girl while I was absolutely floored by TVXQ’s efforts. With that said, both groups are releasing new material this fall and are preparing for round two. And so far, JYJ is impressing THE HECK out of me with this gorgeous release.

Tracklist
01 Get Out
02 In Heaven (Narr. Kim Jeongeun)
03 낙엽 (Fallen Leaves)
04 소년의 편지 (Boy’s Letter)
05 Mission
06 I.D.S (I Deal Scenario)
07 Pierrot
08 You’re
09 Nine
10 이름 없는 노래(Unnamed Song) PART 1

The first track of the album is Get Out. The piano intro is seriously gorgeous and immediately sets the sorrowful vibe of the song. We get a few words by YooChun before Xiah JunSu’s silky voice comes in. I love everything about this song and it is possibly one of my favorite of the album. The vocals are strong and the song is full of beautiful harmonies. A great start to the album.

The title track In Heaven is a gorgeous ballad featuring one of the rawest and most powerful vocals I’ve heard all year long. I knew that all the members are infinitely talented but it seems that they’ve reached a new high. The group vocalization is perfect. The intro to the song reminds me of the piano structure of Big Bang’s “Haru Haru” without the drums kicking in. Instead, we get a stripped down song with just vocals and low-key instrumentals. It’s absolutely stunning.

Fallen Leaves slows things down even further as if to test the audience’s patience waiting for JYJ’s firecracker dance tracks to pop up. Again, we get nothing but full-scale vocals and just a light and very mellow piano chord. If I thought the vocals in the title track are gorgeous, this one features higher levels of dramatic vocalization especially from Xiah who is just damn moving in this song. His high notes toward the end took away my breath.

The Boy’s Letter is more symphonic than the preceding songs but it packs the same wallop of emotion as the first two. Again, Xiah’s vocals are so strong that it feels I’m just listening to him the whole time.

The next track is an odd and unexpected one because it breaks us from the more emotional spell of the first three. Mission takes the cue from the first three and is a very low-key uptempo tune compared to the bombastic and often very loud dance music we hear. The beat here is so addictive and it’s so simple that it doesn’t distract from the boys’ voices.

Despite it’s onerous title “I.D.S. (I Deal Scenario) is another home-run dance tempo. It’s strange because while both Mission and IDS are clearly meant for the clubs, they also belong among this album’s more low-key tone. They’re held back than the usual loud and obnoxious tunes that K-pop produces constantly. I.D.S. is charming and even when they’re voice is digitalized, it doesn’t ruin the charms of the song for me.
You’re is much more uplifting than the first five. It’s so charming and appealing but like the first four, the vocals here are stupendous. There’s an ethereal feel to the tune during the verses and then becomes more uptempo as the chorus kicks in. It’s a filler track, sure, but it’s still better than what most K-pop acts release as a lead single.

Pierrot is an exciting tune to finish out the album. Again, we get lots of group vocalizations and harmonization that are enticing and just plain damn gorgeous to the ears. It has flashes of Chris Brown’s “Forever” with its romantic vocalization and the laid back electronic beat. It also reminds me of Big Bang’s “Koe Wo Kikasete” except much more upbeat than them.

Though I didn’t necessarily like how low the vocals of the first verse were in NINE, if the point was to highlight how awesome JunSu’s voice is at a higher octave, then they were perfect. NINE is a slower-paced track that is kind of a breath of fresh air. It’s clean and simple with minimal instrumentals that really pronounce the vocals. Though it can get a little bit tiresome halfway through, the bridge changes things up before transitioning back into the chorus.

When released on JYJ’s previous album “In Their Rooms” Unnamed Song Part 1 was one of the most controversial topics in the KPop sphere. The lyrics of the song describe in extreme detail what occurred with the whole breaking up of DBSK/TVXQ issue. Written, composed, and produced by JYJ’s YooChoon, the song is all rap except for the chorus sung by JunSu. When I first heard this song, even without understanding the meanings of the lyrics, I could strongly feel the overwhelming emotions poured into the song. It’s highly apparent in both the raps and the vocals that this song is basically an outburst towards SM. The entire song embodies resentment, anger, and determination.  I personally love this song because it is beautifully crafted and both the vocals and raps are amazing. The YouTube clip above has English translations so that you can follow along.

Overall, I have not been as satisfied with an album this year as I have been with this one. JYJ seriously stepped up from their last effort and I’m still reeling from how amazing this whole album was. As someone who has never really been a huge fan of JYJ or TVXQ, I was totally converted with this. This is some powerful voices and it’s on full display in this album.

Rating: 5 stars out of 5

Source: DramaPop
Shared By: JYJ3

[INFO] A Review on JYJ’s In Heaven Music Video


Trio JYJ is back to steal your life and time with their beautifully self-composed music. “In Heaven” is their first Korean album and the songs have been so wonderfully composed, written, and sung. The title track, “In Heaven”, is one of the best songs that I have heard this year. But does the MV match the song’s greatness, emotions, and feelings?


The music video. Wow. I am at a loss of words. Where to begin? We see Junsu at a corporate meeting where his girlfriend, played by Song Ji Hyo, gives him a call. She’s full of emotion, her eyes full of sadness. Because this meeting is important to Junsu, he glances at the phone and ignores the call. When the call is missed, we see that the phone background is of falling raindrops, like the tears that stream down her face. Symbolism much? Distracted, lost in thought, Song Ji Hyo meanders into the street when she is struck by an oncoming car. Fast forward a few years. Junsu seems to be still struggling with Song Ji Hyo’s passing and seems to regret what has transpired. But the viewer soon sees that the surroundings have changed and that all of a sudden, Song Ji Hyo is at his front door as if nothing has happened. It’s actually Junsu’s second chance. Not too soon after, the day of Song Ji Hyo’s death approaches and we see that Song Ji Hyo has left her phone on the counter, which means that Junsu’s warning is useless. He runs out of his meeting, deciding that this time, he will go to her instead of ignoring her. Good thing too – she’s about to be struck by yet another car. In the end, we both see them sitting on a bench in what seems to be “heaven”. How clever!

There is actually a meaning behind this song: Jaejoong composed this song to show that everyone has feelings of regret. This song was inspired by actor Park Yonghwa’s passing. The day before Park Yonghwa committed suicide, he called Jaejoong to go out for a drink, but since Jaejoong was in the US recording for the album, he had to pass up on the offer, saying that they would go out for drinks when he got back. 

Unfortunately, he was unable to make good on the offer as the next day, Park Yonghwa committed suicide, much to Jaejoong’s shock.

The dance/choreography. What dance? What choreography? There is none. Oh, that’s right – it’s a story MV. I like.

The song. The song invokes emotions within me. The piano introduction is just so beautiful. The dialogue heartbreaking. You can hear them singing with so much soul, it’s so touching. And you know that when the singers sing with such depth and emotion, it makes the MV just that much stronger, the song just that more meaningful. JYJ isn’t called one of the most talented groups for no reason.

Thoughts. The MV was beautifully crafted, the song beautifully sung. I must confess, I didn’t pay much attention to JYJ until their solo songs for their respective dramas. If they sung so beautifully by themselves, I thought to myself, imagine how they sound together. And they surely didn’t disappoint here. I am blown away by the quality of the songs, the meanings behind the songs. “In Heaven” is both a fantastic song and MV and there’s no doubt about it! And the fact that there will be a 10-minute long video excites me. I’m looking forward to that.
Overall Rating. 5!/5

Source: ningin

Shared By: JYJ3 + ourJYJ

[REVIEW] Protect the Boss: New Kind of Drama that Twists the Cliché to Free Itself from Norm of Conflict & Resolution

[TV Review] Protect the Boss, You are the Coolest~


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Truly, it is strange. There is not one proper villain who plots unsavory things in the background, and there is not one thick conflict that makes the palms sweat. But you can’t help but keep watching. Protect the Boss, to say it in one sentence, is a drama that is like the “rock from space” that has become stuck in the amygdaloid nucleus of the viewer’s brain.


The SBS Wed-Thursday drama Protect the Boss is illustrating well the characteristic feature that appeared in the 2011 romantic comedies such as Secret Garden and The Best of Love. The man who has everything meets the woman who lacks most everything and falls in love with hyper speed, conveys his feelings, and wins over the heart. As if a response to the dryness of life, the degree of romance and comedy has much heightened. It is funnier and it is sweeter.


However, in the crucial point, Protect the Boss walks a road separate from not merely the above two dramas but also most every drama in existence. It is that the “conflict” that pierces the entire work is faint. Secret Garden had the background of having the spirits of the two lovers who are of different social classes switch and with it a large-scale auto accident, and The Best of Love had the entertainer hated by the entire public and the top star with an artificial heart act as the main lines of conflict that pierced the works.


However, contrary to this, Protect the Boss does not have in particular a line of conflict that crosses the 16 episodes. This is not saying that no conflict at all appears. On the contrary, on every episode there is conflict. However, the construction of the narrative itself does not follow the method of boosting the conflict to cause it to explode for a climax. Rather, it is differentiated from other dramas in that it is unfolded in a “cool” method of resolving the conflict immediately and promptly in each episode.

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Even though the conflict is faint, the average rating of Protect the Boss is around 15% and the felt-ratings is above 20%. The secret to such popularity is the refreshing characters who twist the clichés of romantic comedies, the deconstruction of the images of the chaebols, and the “cool development” of resolving conflicts right away and promptly.


A third-generation chaebol and his secretary fall in love. Of course, it is the proper course to have the parents of the chaebol chase them right away to quibble and it is the path well-travelled to have them fall ill with a cloth around their heads and to oppose the lovers. Protect the Boss twists this sequence and path. This female secretary argues to Shin Sukhee who finds her to quibble that “since your son likes me, I am the top” and makes her clutch the back of her head.


This is not all. The permission from the chaebol parents, which normally falls only in the end or even in the end does not falls, comes early in Protect the Boss. Cha Bongman, who likes Eunsul’s straightforward personality and the fact that she helped Jihun without any words despite his suffering from panic disorder, decide to have this punk secretary who has “only the usage of her fists and blue-collar labor as her strength and hobby” become “a member of my family” and transformed into “Cha-chard Gere” and films the “father-in-law” version of Pretty Woman.


Most of all, Protect the Boss is interesting in that characters who have deconstructed the standard images of chaebols appear en masse. Cha Bongman, who is the CEO of a mega corporation but has on his lips perpetually the call for “mom, mom” and is far from refinement or elegance. Cha Jihun and Cha Muwon who, even when they’ve grown old, fights with punches and headbutting at each time they meet. Seo Nayun who is so tone deaf that she begs for a punch. These characters smashed in significant parts the “live by the image” of the chaebol character.


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The refreshing characters and the deconstruction of the chaebol images meets with the growth stories of each person and evokes enjoyment. The man who is grown but wears a Dully Dinosaur underwear and has as his foremost specialty throwing tantrums and acting cutesy. The man who has abilities and is clean-cut, but does not know how to play. The woman who, approaching the age of thirty, does not have anyone to call a proper friend. Cha Jihun, Cha Muwon, Seo Nayun. These fault-ridden third generation chaebols meet Noh Eunsul, “the woman who has fooled around in her time,” and start to change and grow.


Jihun who had given up on his potential, saying that “I cannot talk in front of people,” overcomes panic disorder with the help of Eunsul who acknowledges and accepts him as he is. Muwon who had not known shame learns what it is through Eunsul and newly makes clear the attitude of clean corporate ethics and on the other hand begins to learn the laxness that allows him to enjoy life.


The most interesting is the fact that the “chaebol girl” character Nayun is among the growth characters—she is someone who, in a normal drama, would step aside aloofly pretending to be cool for the woman who has taken away the love and the attention that were due to her, or would be busy plotting, her heart filled with malice. Nayun, who has never had a single proper friend since birth, learns friendship through Eunsul that she hated to the degree of sticking an ice cream cone into her behind and her friend Myungran.


The enjoyment of Protect the Boss is in this process itself. The refreshing characters who react in ways that were not predicted, and the process of their change and growth. This process itself generates catharsis, and therefore this drama does not need a conflict or a villain who acts contrary to common sense and habitually commit evil deeds in order to create the conflicts.


The 12th episode which aired on the 8th made this enjoyment come to life. In the pork-belly restaurant scene in which Jihun and Muwon, and Eunsul, Nayun, and Myungran were together, they said “let’s be friendly” and began to treat each other not as rivals but as friends. This scene gifted the viewers a warmth that was pleasant. The change of the “chaebol neighborhood” was already beginning with the third generation.


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The deconstruction of the chaebol image and the twist of clichés employed by Protect the Boss projects in the end the ideals the public carries about chaebols. Jihun who refuses a succession employing improper means. Muwon who refuses to set aside slush funds, saying that he wants to work less shamefully. Cha Bongman who properly keeps the court orders to volunteer for society. Madame Song who says “Sharing. If you evaluate what the other is lacking and missing and keep filling them, then your deeds are due to come back to you.” All of this carries the hope of the public that the chaebols will operate their corporations with ethics and act on the ideal of noblesse oblige.


A fantasy about chaebols who lack sociality learning despite bumbling how to interact and who change through it; and in that process, they cause you to dream of the change of the entire chaebol neighborhood. There is no thick conflicts or characters who fight heatedly or stand in opposition, but Protect the Boss is fun because from its birth it is a “cool drama” that does not rely on “conflict and resolution” for its meaning of existence.


Of course, there are viewers who feel bored by this “cool” development. Therefore, Protect the Boss is a drama that creates even more attention for its legacy. What kind of an evaluation will the viewers give for this new kind of narrative that seems to have properly juxtaposed the particularities of a mini-series and daily sitcoms? And what kind of a change will it bring to the future of domestic dramas? We are excited to watch.

Source: Union Press
Translation Credit
: JYJ3
Shared by: ourJYJ